Dance and Film
finding new options
It's the possibility of varying perspectives which interests me in film. The ways in which a camera is able to look at the dancer are diverse compared to the classical audience. From above, beneath, on one spot or in movement, the whole body or just fragments. To edit this material and bring it into a new choreography is lots of fun for me.
I`m glad to find Sushma U. Gütter, an expert, who is able to transcribe my artistic idea and enrich my work in a wonderful collaboration.